Performance royalties
When your composition is publicly performed — radio, venues, streaming — PROs and societies collect on your behalf.
Music Publishing
Collect the royalties
distribution alone can’t.
Distribution pays you for the recording. Publishing pays you for the song — mechanical and performance income that many indie artists never claim.
Why it matters
Two copyrights. Two pay streams.
Every release has a master (the recording) and a composition (melody & lyrics). Your distributor collects the master side. Publishing administration registers the composition with collection societies worldwide so mechanical and performance royalties can reach you.
- ◈ Keep 100% of your copyrights — we administer, we don’t take ownership
- ◈ Global registration with PROs / CMOs and mechanical partners
- ◈ Works alongside distribution — complementary, not a replacement
- ◈ Transparent catalog reporting so you see what’s been collected
Mechanical royalties
On-demand streams and downloads reproduce the composition. In the US that often flows through collectives like the MLC — separate from your distributor.
International reach
Local societies abroad can hold unmatched income for years. Administration routes those payments home.
How it works
Simple admin for complex rights
Built for songwriters who already distribute with KLYNE — or want both under one roof.
Register writers
Add songwriter profiles, splits, and IPI / CAE details
Submit songs
Link compositions to releases and ISWC / metadata
We register globally
Partner societies and mechanical bodies where you earn
Collect & report
Quarterly statements with clear store / territory breakdown
Stop leaving publishing money on the table
Start free distribution, then enable publishing admin when your catalog starts earning.